And It Wuz

The second show in November saw the collective in maximum effect at Wrong Music. We had the second room and it was a great chance to play loudly for a change. Much as we like the chinstroking ambience of that the Marlborough Theatre provides, once in a while its nice to really let rip.

No Pictures yet – Sorry!

Starting the live sets proper, in a stop start improv manner was The Spirit of Gravity Quartet, with Chris Cook (Hot Roddy) on Sitar and Jason T on violin alongside the base SoGQ4 of Steve from minimal impact, Dan Powell and McCloud.

sogq4_+_jayt_+_same_actor-k9_ate_my_tractor.mp3

Rising from that starting with a Same Actor style processing of the Sitar but quickly getting the breaks going was Hot Roddy. Showcasing lots of stuff from his impending Wrong Music CD and some new tracks, it was rattling good stuff. Unfortunately, apart from “missed callers” a track we posted up about a year ago, the only recording we got was this one song. Which isn’t to say its bad, just that I like to have the whole set to brag about.

It’s a new one, this is its working title.

hot_roddy-knock_knock.mp3

Getting the drone thing going for the first time that evening was Yellow Not Yellow, Jay from nost8ments new solo effort. Ripping stuff, violin, voices, cymbal, effected to hell and back. In the Gravitational Pull review I call it Industrial Ghost music, and it is, a machine roar with screams and mutterings from the pits.

yellow_not_yellow-the_bit_near_the_end_with_the_cymbal.mp3

Changing the mood slightly Casio Headbutt surfaced for their second show, kicking off with some high density organ psyche, followed by some silly casio preset action before finishing off quite nicely with this.

casio_headbutt-breakcore_science_lesson.mp3

After that minimal impact finished off the evening with a no prisoners set of uber drone violence. mi is custom made for this sort of environment: every damn thing in the room was vibrating along with a sound that sent us home dribbling and grinning empty eyed.

miinimal_impact-time_to_kill_the_room.mp3

Although minimal impact did have more people dancing than anyone else.
I don’t understand.

november will be magic again

As close as we’ll get to a Christmas show I reckon, the November show was indeed magic.

The Reasonable Men displayed simple virtuosity on guitars, keyboards laptop and some strange tone generator that I was quite enthralled by (More! More!). And they played for 45 minutes. Good job they started early.
the_reasonable_men-live_edit.mp3


Monster Bobby played his guitar, Dr Sample and Casio keyboard (“The hiss? I could get rid of that, but I rather like it”). He sings songs, including “The burning ambition of early diuretics” and this one, the epic “I heard you’d moved away”.
monster_bobby-I_heard_you_moved_away.mp3


minimal impact, well, compared to the high intensity version that was to follow on Thursday at Sog@Wrong this was pretty low impact, but still, dronetastic. Echoes, drones, sheep and spacemen.
minimal_impact-fine_eastern_rain.mp3

Wide open spaces – the October show

Guests for October came from countries where travelling by car is measured in days. Except Celled, who come from a place where finding a parking space takes days.

Just before he headed back to Canada, the long way round (while the nights have got colder here, I’ve just heard from Sean its 32 degrees C where he is in Thailand) nwodtleM played his fourth set for us.


Sean came up with a special set for us, eschewing the normal breaks and 80’s samples, it was a blast of tones, white noise and found concrete. All pitched up and down and messed around with and sourced from philips compact cassette.

nwodtlem-electric_privates.mp3

On a busmans holiday, Chris Cobilis stopped off to bang the table, play guitar and zither and occasionally sing. The cultural ambassador from Perth Western Australia. I haven’t got a clip if his encore lecture on Australian Culture or the introduction to the Australian piss-weak seagull.


But I have got this dry and dusty as the West Australian plains version of
two_hams_in_a_can.mp3
which Chris loops up out of a dodgy guitar lead crackle. Class.

Trekking in by Taxi from Hove came Celled. A minimalist treat of piano, Korg and effects, Celled took three songs by their noisy alter ego’s Sold, slowed them down beyond the point of it being funny and played them extremely quietly.


Joined by Ben Inman on very quiet Cornet, this is an unrecognisable version of Solds live favourite .
celled-sunglasses.mp3

1

The Battle of Brighton Live

SoG’s new out-reach programme nearly fell at the first hurdle when various acts were booked to appear in Bond Street’s trendy bar Riki Tik’s on 30th September as part of Brighton Live’s city-wide free music fest. Let’s just say that the selection of abstract electro-acoustic experimentation didn’t go down that well with the locals. Funny as it sounds OK to me when I listen to it now, particularly Dan Powell‘s set, which started the evening off:

Dan_Powell-BL06.mp3

This Sound Bureacracy followed, although technical problems stopped them producing the full range of sounds that were planned. Despite this, the set still came together from time to time:

This_Sound_Bureaucracy-BL06.mp3

The tentative nature of the performance didn’t help with the audience though, so here is the entirety of Minimal Impact‘s set, before he ran for the hills:

Minimal_Impact-BL06.mp3

Celled didn’t play at all, but the night was saved when, fresh from his triumph at Concorde 2, Rashamon rode in on his white charger and quietened the natives with a smooth performance of hypnotic beats and melodies, which quite frankly was what the whole gig should have been like if we had thought it through. I’m sorry to say that I was cowering in the corner by this time, so didn’t get a recording of the set, but please acept my word when I say it was a cracker.

Tony Rimbaud

The Argus He Knows


This Sound Bureaucracy get down.
Why does Nick Rilke always wear a hood onstage?
Random poetic guests and loopoopoops comprise their set.
Heres guest poet from Sold/Celled Howard letting us know what he likes to look at in art galleries (mp3).
It was either this or Lee Rashamons Britney piece about Emperor Penguins.

Simon Fupper plays guitar and sings a treat, he definitely played the b-side of his Jonson family single but maybe not the fabulous a side.
This is Lea (mp3) anyway.

Leo Abrahams just plays the guitar, he may sing, but he didn’t for us, but then we didn’t let him have a microphone. He does play the guitar though, this photo was taken right at the beginning of the second song I think, part of the percussion loop that drives the song along.
Thats what he does, builds instrumental songs with loops: bright, clear loops. Even the distortion is clear as a bell.
This is “Anemone” from his new album “Scene memory” on Biphop.
One of the quiet songs.

1

Hot August Night

Stealing the show with his mighty tower of power was Jonny Faoi.

I chose the beatiest passage I could to prove a point. Which isn’t to say it’s the most banging.

faoi-i_left_the_iron_on.mp3

After that a trip to space might be in order.


With Henry Collins, Steve minimal impact and McCloud providing the Spirit of Gravity Quartet, and Safehouses Geoff Hearn providing the Saxello (curved Soprano Saxophone apparently).

SoGQ4+Geoff_Hearn-spaceflight_simulator.mp3

The saxello was actually so loud at the show that hardly any of it needed to come through the PA, so this was about the only section you can hear Geoff. Unlike on the night when it was clear as a bell. If I’d been more organised we could have a microphone recording as well.

And dear, DearBritch hiding behind the curtains.


Reading from The Book, funny and frightening as usual. Again, Stuarts voice was hardly in need of the PA in this theatre space (Good ProjecTion there), so I had to tinker a bit to make him (even barely) audible from this desk recording. But aren’t the backing tracks great, though? And if you wanted hi-fidelity you wouldn’t be looking for it on a 96K mp3 of a live show would you?

DearBritch-fag_off.mp3

God, I love the BBC

I just found out Rob Da Bank played one of my ElMaes tracks last night, I say mine, I think it was one of steves remixes, it was hard to tell through my poxy little speakers here at work, but great stuff.
rob da bank
Unfortunatly they spelt the name wrong Geburah (5) is by Elmaes rather than Elmeas.
Which is the point of this post, if anyone tries to google Elmeas, not much comes up.
the track is from the WMRecordings CD thats upcoming rather than the 7.

Also Mixing It are playing Dans track from the Shitmat remix CD tonight
mixing it
The 7 and the CD are available via the Spirit of Gravity Website.

The August gig will be posted next week.

Cheers