Haz ‘n’ Daz
HazanDaz (Howard Spencer and Dan Powell) came out with nylon tracksuits and a quick blast on a whistle, and sat down at a table on the floor like a couple of school kids. Howard had his old wasp, recorder and some small devices and Dan had his laptop and a collection of small things. I was expecting some world cup related daftness, but what we got was some nice chirrups and drones. I could hear the occasional football commentator, and some samples of recorder to echo Howards. So not daft, but enjoyable. The world cup all seems so long ago now. The bane of topicality.
Meatbreak was somewhat noisier, much denser affair than the footy chaps. Although it slides in unobtrusively with some rumbling bass drones before layering some weird trebles and squelches and then some industrial throb beefed up with distorted pulses of distorted bass drum ending with some space squelch.
“Some old stuff, some new stuff and some extemporisation” said Sarah Angliss at the beginning of her set and that pretty much sums it up. She had a new modular synth set up stage front, which although she had to teeter on the edge of the stage to get to it, added some noise and random elements. The carillon, recorder, Hugo and (for the first time in an age) the Crow, were all present along with some penetrating bass and sweeping space noises. So, kind of Sarah Angliss in a spookier, squelchier, slightly more abstract 12 inch form.