Green Door Store
Billed as a laptop set, Hardworking Families do have one on stage and even plugged in. To the mains. Tom plays it with a small radio. passing the device back and forth over the screen front (AND back), keyboard, power supply etc., and feeding the results through his usual array of pedals and other malarkey. It’s a pure noise set with an interesting variety of tones and textures and I particularly liked the way you could see the source of the range of harsh tonalities.
Lend Me Your Underbelly
Second act of the evening was Lend Me Your Underbelly, over from The Netherlands. He played a guitar and a synth into a super drone machine for the first set of the mentioned sartorial vibrational bassy goodness. Over this he plays some quite delicate pointed guitar, clean and understated. It’s a contrast that works well, giving the drones a wash of psychedelic overtones. It’s like a thick hearty, satisfying soup that also tackles your palate with some citrussy high notes for surprise and to top it off.
Futuro De Hierro
Futuro De Hierro is a somewhat different kettle of fish, although he keeps the clothes flapping away quite nicely. He’s thunderous in the Green Door Store and really makes the fullest sense. The beats distortion adds thunder, the bass gets everywhere in the room, and Matt the sound man gets stuck into the Strobes (“I don’t normally do this for the Spirit of Gravity, but…”). Viktor works at his sequencers and effects, shouting in Spanish and swinging the microphone round by the monitors so he can get to work riding the feedback. It’s a wonderful racket, and I laugh like a series of drains.