Tag: Goitt

The Baby feast begins

January 2016
Green Door Store


Goitt Jack starts his set off with some statement making monster bass blasts. They really make full use of the Green Door Store’s extended bass frequencies, they’re slow and powerful and he builds up some other regular noises in there before picking up his saxophone and letting it rip into his effects chain. There’s some pretty heavy distortion in there and his playing pretty quickly builds in intensity, with the bass blasts getting twisted with pitch bends before it falls away and starts building again around a more complex sequence. I think he could barely talk for a while after the end of that, he looked completely blown out.


Komuso Komuso (Derek and Cliff) are joined on stage by Der Rompf (Robert and Stephen). Starting slow, grit and warble with e-bowed guitar sliding in. A big metal sheet propped up against one of the GDS oil drum tables and electronic drums rattle in a Martin Denny-esque exotic patter, curling the guitar off into arabesques before fading out into noise and space whorls. Cliff has an interesting approach to the electronic drums, scraping around the edge and beating the limits rather than time. It builds again before sliding down to a quiet keyboard figure before some bassy growling gets them in the mood for proper metal bashing beats and space beeps to out.


Baby Baby start warble and growl; cornet against cello with vibraphone bell and scrape before it starts to get a bit ominous with some choral decay before will gets onto the acoustic guitar and thinks get into more spacious territory, Alice’s cello dropping to strummed bass figures, odd Vibe tones, stroke of drum and slow cornet or Korg from Al, before Will suddenly stands and switches to flute which picks thing up, Adam beating cymbals, Will circling, the synth toning and Alice harsh jars on the bass strings with a moment of suspension with Al’s effects suspended lighter than air before the cello drones in all scare and we spiral out to nothing. The second piece starts with scrapes and whispers against scurried string plucks, before flute drones in underneath and the Korg does a detuned space warble under vibes and voices and isolated short flute flurries before we do an odd revisit to Denny but in a somewhat more ribald fashion

See Agata’s Flickr collection of photographs of the show at: