Tag: Renfield

Gnarly duos

April 2015
The Scope


Renfield Renfield is Dan Powell and Geoff Cheesemaster, Dan had his laptop with some Pure Data patches scratching out noises fed through an effects chain while Geoff had a no input mixing desk setup with some old fuzzboxes and a couple of analogue delays feeding off an old noisy Yamaha mixer. Definitely it was one of those things where you’re wondering who the hell is making that sound. Dan’s output was quite digital and grainy, but the effects chain put some analogue spin on that and the two setups merged into a nice mulch of noise. Textural.

I’m Dr Buoyant and Ron Caines

I'm Dr Buoyant and Ron Caines Ron Caines and I’m Dr Buoyant started with Colleen-ish chimes looping from Tony and Ron slowly starting in on his soprano sax from the shadows off at the side, the whole thing was rather lovely, aching with melancholy. It took some time in unfolding before Tony got to work on the effects units and it degenerated into something altogether a bit gnarlier, with Ron picking up the Alto and blowing a bit and Tony got into some orchestral rhythm hammering. They then seemed to do a piece based on loops of Ron’s Sax and it all went into an uneasy dreamstate before rounding off in a circular synth sweep with heavily delayed sax resonating feedback washes overlaid. A really good performance from Ron and Tony, possibly their strongest to date. They’re up again at SafeHouse soon.

Chemical Bbrench

Chemical Bbrench Chemical Bbrench is Karl Waugh and his mate Felix. Apparently they play annually, but its their first time at The Spirit of Gravity. They had two guitars, two lots of effects chains and all played back through the PA. Literally. Occasionally you can tell a chunk of noise originates in some chirruping fret run or string scrape, but rather than guitar music it was mostly a solid blast of effects chain full throttle overdrive leavened with slow phaser grinds and broken down by low bouts of feedback. The temptation is to think of it as a straight noise set, but listening back, its a lot more nuanced than that, quite textured and with some nice interplay between the two of them. Which isn’t to say that it didn’t have some nice HNW moments.