Author: Spirit of Gravity

Next radio broadcast on ResonanceExtra FM: Friday 7th July 8.00 to 10.00pm

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Gravity Waves and the Spirit World

The next edition of the Spirit of Gravity radio show will be broadcast on Friday 7th July from 8.00 to 10.00pm on ResonanceExtra FM.
https://extra.resonance.fm/

The Spirit World

Thomas Stone – Factors A
Sarah Angliss – Camberwell Beauty
Slow Listener – I went too far didn’t I? When I should have stopped “one Side”
The Organ Grinder’s Monkey – Pretty
Spheress – Punk technique
Nuclear Whale – Venal
Kuroneko – Evocation Of The Raven King
Shunyo – Melancholy
Olivia Louvel – The Chamber

Gravity Waves

The 2nd hour is given over to an Eliana Radigue special, presenting “Kyema”.

Resonance Extra is available on DAB to listeners in Central Brighton and online to the rest of the world (how to listen). You can also listen online at extra.resonance.fm and directly using this link. Resonance Extra is also available via Radioplayer and TuneIn.

6th July at the Rose Hill: Far Rainbow / Ræppen / Annie Kerr, Gus Garside and Kevin Moore

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** PLEASE NOTE THE CHANGE OF VENUE – FOR ONE MONTH ONLY **

Far Rainbow
Drums and noise

Far Rainbow are an improvising duo using drums, sellotape, plastic bags, toothbrushes, motors, pencil sharpeners, electrical hum, and thunder storms. Their album, The Power of Degenerated Matter, was recently released by the Slightly Off Kilter label, following various cassettes and CD-Rs on Zero Wave and Linear Obsessional. Their music has been compared, by Paul Margree of the We Need No Swords blog, to “the free-spirited electronic kosmische musik that Hans-Joachim Roedelius and Dieter Moebius may have created in their Cluster heyday if they had King Tubby rather than Conny Plank producing it.”

Ræppen
Sami influenced Shamanic drones using voice and percussion

…mixed with modern music technology to create hypnotic soundscapes, Ræppen is the work of a Nomadic travelling Shaman who travels the planet playing ritualistic drones. Not much is known of the Shaman but when the ritual is performed the Shaman will use hypnotic rhythms to develop a trance like state to be at one with the spirit world.

Annie Kerr, Gus Garside and Kevin Moore
Improvising trio: double bass and violin with FX, electronics

Annie Kerr (Violin and electronics), Gus Garside (Double bass and electronics) & Kev Moore, (synths and electronics) are all members of and regular players at Brighton’s foremost free improv night ‘Safehouse’. Annie and Gus have a long history of playing their acoustic instruments through effects chains and all three have played together in various combinations with and without effects many times. It being improv, could go any way, but we are expecting scrapes, scratches, swoops, excessive delays and bassy rumbles.

PLUS special guest, get down early for minimal impact

Thursday 6th July 2017 | 8pm – 10.30pm | £5
@ The Rose Hill
70-71 ROSEHILL TERRACE, BRIGHTON, BN1 4JJ

New horizons, rearranged narratives

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June 2017
Green Door Store

Bitter Disko

Bitter Disko

We had a kind of story arc in mind for the June show, starting off with Bitter Disko and his stripped down all electronic percussion setup. Stunningly pure in conception, he builds some tonality in by overdriving tom or bell sounds, but it’s all hardware drum machines rattling away in erratic twitchy rhythms, driving on and on. We have had audiences dancing before but this mass twitching and odd convulsions are more widespread and unusual.

Nuclear Whale

Nuclear Whale

Second in line we have the return of Nuclear Whale, his lovely array of hardware and looping visuals. Interspersing disturbing off-centre drones and sirens with rhythmic passages that occasionally get up to a fair old rattle. He almost hits both sides of crystalline Detroit and noise walls without losing the sense of what it is he does. Some real fun in here.

Fane

Fane

The final act of the evening is Fane’s first show. So that’s a real bonus. His set unwinds quite unusually starting with a really intense thick bagpipey drones with banjo (Hah! Oh yes) before a mid-tempo rhythm slips in and he does some singing (now THAT is something unusual) and eventually it unravels as the bagpipes decay into space slides for a lengthy and quite hallucinatory drone out to end on a very odd digital folk tip. The sounds aren’t the earthy electronic folk inflected sounds of Kemper Norton, say, but oddly clean and shiny, but still with something that hints of the fence or hedgerow.

Next radio broadcast on ResonanceExtra FM: Tuesday 6th June 8.00 to 10.00pm

Posted on by Spirit of Gravity

Gravity Waves and the Spirit World

The next edition of the Spirit of Gravity radio show will be broadcast on Tuesday 6th June from 8.00 to 10.00pm on ResonanceExtra FM.
https://extra.resonance.fm/

This month we dedicate the whole show to a trip through the weird and wonderful world of Adaadat records. From a pummelling by the likes of DJ Scotch Egg and Ove Nax to the subtle splendour of Chosen Frequencies and Elephant house – this show marks an amazing history of exploration at the sonic frontier. Adaadat Records we salute you!

Resonance Extra is available on DAB to listeners in Central Brighton and online to the rest of the world (how to listen). You can also listen online at extra.resonance.fm and directly using this link. Resonance Extra is also available via Radioplayer and TuneIn.

1st June at the Green Door Store: Fane / Bitter Disko / Nuclear Whale

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Fane
Folk music from the furthest reaches

Fane released a self-titled EP at the beginning of 2017, a 2-part gnostic ramble through ancient Britain, followed by a second EP of two ambient/drone pieces shortly after. Mutated banjo, squeezebox and mandolin sit alongside beats and psychedelic drones in sagas of faraway places.

Bitter Disko
(live hardware breakdown)

Bitter Disko is a restless live hardware soundtrack of rhythmic experimentalism. Using cheap trash & analogue gear to produce percussive electronic sounds has generated a series of stripped-back nocturnal tracks that recall influences from classic electro, warped techno & tribal drumming.
bitterdisko.bandcamp.com

Nuclear Whale
Digital/Electronic secular apocalypse

Thursday 1st June 2017 | 8pm – 10.30pm | £5
@ The Green Door Store
Undercroft, Brighton Train Station, BN1 4FQ Brighton

Happy Birthday Delia

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May 2017
Green Door Store

So, yes, it’s what would have been the eve of Delia Derbyshire’s 80th birthday if she hadn’t died so young. As one of the series of events in Brighton to celebrate that event, I think this was a suitable occasion.

Lorah Pierre

Lorah Pierre

Lorah Pierre is set up in front of the left hand stack on one of the round tables, a small breadboard device with wires, switches, unknobbed potentiometers wires and bare light bulbs sprouting out. She has a small jeweller’s screwdriver in her hand and the house lights down. She starts with small pulses of white noise serried up in blocks, the bulb pulsing in time. Silence erupts with darkness and then pow! Back in with a thin blast of white noise full throttle, again it pulses as she works at the hidden presets. The blasts fatten out and then fall away in volume. Darkness and flashes of light illuminating us standing around the table watching the concentrated effort. The set climaxes with full throttle blasts and then all too soon in darkness ends.

Karen Constance

Karen Constance

Karen Constance is up on stage, to one side of the screen onto which is projected full size some film by Andy Bolus, it’s large with stained glass colours and the intensity of melting celluloid. After a false start due to connectivity issues, she starts with what sounds like a cassette recording of bricks being chipped resonating through some kind of piano soundboard. It morphs into an unrecognisable lumpy rhythm, before being subsumed by chirruping tape birds and someone gulping a noisy tea before having a sliding door bash their head in. Karen’s collage sets are singular things. Evoking dreams of the city bombsites of my youth, weeds, dust. Machines. There are birds and natural sounds, but it’s not bucolic in any way, when the tonal wind blows it’s through a window, a bell is an oddly warped domestic sound pitch bending into an absurdist shape. Urban Horror. Dogs, elephants. Voices. I’m kind of lost. And a bit scared. It’s dark… she ends with a woman’s voice reading.

Roshi featuring Pars Radio

Roshi feat. Pars Radio

Finishing the evening is Roshi featuring Pars Radio, starting with a new song, well a new cover of an old Persian folk song, “Rashied Khan” with a short clip of an old Iranian film playing behind them. It’s pretty abstract, Roshi’s voice, a constant, her organ holding quivering notes behind her and Graham Dowdall’s occasional beats scattering about behind her. Then a trio of older ones, including the single “Don’t breathe it to a soul” with film, before finishing off with a rattling version of “Three almonds and a walnut” and unusually an encore! “Lor Batche”. Rocking.

4th May at the Green Door Store: Roshi feat. Pars Radio / Karen Constance / Lorah Pierre White

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A concert for Delia Derbyshire’s 80th Birthday.

Roshi (feat. Pars Radio)
Iranian traditional songs and London electronica.

Roshi Nasehi is a Welsh born singer-composer of Iranian parentage with a strong track record in live performance, collaboration, recording and workshops. As a child she sang 80s pop, songs from musicals and Welsh folk at school and in local choirs. At home her parents played old tapes of Iranian folk and pop music and her father resumed traditional violin playing, which influenced early compositions. She also learned piano and in 1997 won a place at RWCMD to study composition and sang in the jazz ensemble directed by Keith Tippett. She moved to London in 2000 and before long formed her much acclaimed “experimental, electronic Welsh-Iranian folk pop” project Roshi Featuring Pars Radio with prolific percussionist/producer Graham Dowdall. It’s an unorthodox sound world combining Roshi’s intimate singing style with Gagarin’s experimental electronic powers to create a unique genre-crossing, ‘exotic, folktronica landscape.’

Roshi has received several commissions including the Belonging exhibition at the Museum Of London, BBC Radio 3’s The Verb, So & So Circus Theatre, Birds Eye View, the Southbank 2012 WOW festival and the British Council for whom she presented major public sound art pieces in Kuwait in May 2014.

www.roshi.biz/about

Karen Constance
Audio and visual artist in rare solo show.

Included on this year’s Tectonics lineup, sound artist, member of Blood Stereo and the Polly Shang Kuan Band, and co-curator of another UK experimental music festival, Brighton’s Colour out of Space.

Lorah Pierre White
Recycled DIY hardware & hacking

Recycling of materials, self-built hardware, hacking and bending, along with a DIY ethos that allows interactive installations and performances to develop out of temporal space

Thursday 4th May 2017 | 8pm – 10.30pm | £5
@ The Green Door Store
Undercroft, Brighton Train Station, BN1 4FQ Brighton