September 2015
The Scope XIV
Cheesemaster’s Home Video

We start the evening off with some of my holiday video…. I’ve got some footage of a ride on a jet-boat in the Everglades, the engine sound is raw as hell – a 7 litre beast with no baffles that overloads the camera mic quite nicely. I projected the film onscreen and fed the soundtrack through a cascade of fuzzboxes, it makes a nice AV noise set. It’s fun and I can’t help leaning into the corners.
Andre’s Elbow
Second up is Andre’s Elbow, Dan Powell and Tony Rimbaud, the soundcheck was excellent, Tony processing Dan’s small percussion and throat singing to lovely effect; a rolling thick exotic mosaic. The set itself is marred with some tonal feedback that seemed to get deep into the effects chain and won’t go away, and as a consequence they were too distracted trying to dispatch the thing to really gel. I’d like to see them do it again, as when they had everything back and under control Dan had some whistling vocal drone and singing bowl going on and it finally started to show the promise of the soundcheck.
Deemer
Rounding of the evening were Deemer; Dee Byrne and Merijn Royaards down from the big city. Dee plays saxophone and Merijn had a stack of old acid boxes; then, between them, they had some old portable CRT style TVs and a whole lot of processing kit. It was a set that felt full of opportunities and at any moment could go shoot off in any of a number of directions – there were elements of jazz, some suppressed 303, some noise things bubbling up through magnetic sensors in front of the TVs – the frame hold lines buzzing through them. And they did visit a number of these places in a remarkably coherent way. Dee plays with a number of the improviser’s we’ve had down recently and they both pay a great deal of attention to what’s going on around them.

The evening started with a new duo of Paul Khimasia Morgan and Dan Powell. Dan had his laptop and a scattering of percussion and Paul had a tape player, zither and some jumble of things. Quiet and elliptical, rattling and humming.
Robert Barry / Bobby Barry / Monster Bobby introduced his book, explained some pieces and what the book was about. He performed three pieces which were more loosely based on his scores than following them. Lots of processing and electronics.
nil set up an impromptu kitchen for Culinary Music, mic’d up the boiling pan and shopping board. Chris Parfitt is so wonderfully deadpan, a career in silent movies was sadly avoided. Dan has a lot more ham. But not literally.




